SOILSCAPE: THE GREAT SUCCESSION


European Union Soilscape project: art and soil literacy
Landra in partnership with Teque Artes and
the Music Academy of Cabeceiras de Basto
2026 - April 2027
Soil Festival / BioBlitz, Serralves Foundation, Porto




Landra: artistic directors and soil microbiologists Sara Rodrigues and Rodrigo Camacho

Music Academy: tutors Sara Ribeiro and Henrique Azevedo

Teque Artes: coordinators Vicente Madureira, Baltasar Teixeira and Sofia Queirós from Kriya Atelier, with master classes by Carlos Romão (soil chemistry), Célia Ferreira (natural pigments) and Vítor Resende (ceramics)

The Great Succession is a participatory artistic project about ecological succession, its studies, theories and practices. It tells the story of how whole ecossystems undergo a series of transformational leaps, from simple and sparse pioneer communities to ever more complex forest systems. Through music, performance, and visual arts, soil microorganisms are the protagonists in a narrative about growth, transformation, and regeneration.

With soil at the center of the story of terrestrial life, it is through collective creation that we understand how microorganisms, plants, animals and other living beings build and regenerate the ecosystems upon which we all depend. From the smallest bacteria to the most advanced fungi, we will be making visible and giving voice to the marginalised life of soil that makes up all the habitats above ground.

In collaboration with the local Music Academy of Cabeceiras de Basto, in the nearest village where Landra is located, we will be developing the sound world with around 100 music school children of all ages. Following a scientifically rigorous model of how ecological succession happens, a music score will be developed through rehearsal starting in Summer 2027. Through improvisational prompts, the young musicians will experiment and learn about the functions and behaviours of key-players in the evolution of soil microorganisms. 

Rehearsals will also be held at Landra, that exists in the midst of a mixed oak forest, where various microbiomes can be experienced first hand. With children coming from a rural family background, most of them are now disconnected from a direct relation to the land and forests, having moved to apartments in the village center. The Great Succession aims to reconnect their ancestral past with a new understand of the importance of preserving and regenerating the landscape they are part of.
Furthermore, we have also partnered with Teque Artes, a local and emergent Youth Arts Programme. They have been facilitating the involvement of children and their families in experimental activities at Landra with local soils and plants. Learning in practice about their properties and agencies, families are invited to decant various earths into soil pigments and clays that will make up the visual components of the piece. 

Ceramic sculptural music instruments will be modeled after the shapes and forms of soil microorganisms. Starting with the ‘Invisible Life Drawing’, children and their families also discover the microscopic life through charcoal drawings and soil painting, which materialize in the shape of hand-held clay and plant-based placards, banners and long cloths, to be all used in the final parade.

The project culminates in the 2027 Soil Festival at Serralves Park. Families are invited to take part with their creations in an itinerant performance, where the youth orchestra will lead people on a journey through different stages of ecological succession that visitors can experience and learn more from in the park.

During the week-long festival, each day a workshop will be held in a different location, in sequentially more advanced biomes at Serralves Park, where the itinerant performance will go through. Everyday visitors can engage with the inner-processes of its making, and are envited to make their own microorganism-inspired artistic creations, experimenting with different media such as drawing with natural pigments or modeling with wild clay.

Through a printed score, festival visitors can also try out some of the improvisation exercises the music students worked on and developed. They will be encouraged to return on the last day of the festival for the final performance, joining in the parade as participants themselves.

local biomes in Landra
children working local wild clays


THE GREAT SUCCESSION

November 2025
Performance at Montra - Mostra de Arte Contemporânea
CMIA - Center for Environmental Monitoring & Interpretation,
Vila do Conde, Portugal

April 2024
Performance at Calouste Gulbenkian Foundation
Centre for Modern Art, Lisbon


October 2023 - January 2024
Exhibition and concert at Un Rastro de Furia e Algas, Universidade de Santiago de Compostela, Galiza


September 2023
Concert and walk at Terrapolis Festival, Bologna

March - May 2023
Celeiro AIR Artistic Residency, Serra da Arrábida
Concert at A Gráfica, Setubal



Listen to The Great Succession preview by Landra


Over the years, we have built a considerable database of microscopic imagery, produced everytime we conduct a soil analysis. At some point, it became aparent we had enough of them so to represent the several stages of ecological succession, if it were a story to be told from a microscopic point of view; that is, in short, soil’s perspective on the history of life on earth. We wanted to tell people this story so, during a residency in 2023, we challenged ourselves to create a auviovisual and performance piece where we developed this narrative of how biomes on earth grow from no more than dead dust to biodiverse ecossystems, such as you would find in the old growth forests accross the globe.

Basing ourselves on or own collection of microbiological soil analyses, we translated sonified the invisible and inaudible relationships between microorganisms and all trophic layers emerging from them. ​We sing, play, talk and smash sticks and stones; we ferment, grind, cook acorns; we observe tiny living beings and narrate their invisible journey towards complex dynamic equilibrium. All in one place alone,  meeting somewhere in the middle - a lab, which is a music studio; a kitchen - different materials and tools flow together over diverse ways of seeing, thinking and feeling.​
Since nature talks to us in the language of patterns and institutions, ultimately, we seek ways in which these entities can help us rethink models of institution-making. We mix music and food to build narratives on physics, biochemistry, microbiology and ecology, inevitably leading us to the social and political fields.







Cabeceiras de Basto
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